Streaming X – One Online

February 19th, 2010 by asa8881424
Streaming X - One Online. Streaming X – One Online.

Movie Title: X – One
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X – One is available for streaming or downloading.

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Though the first disc worth of episodes moves rather slowly, this is shaping up to be an extremely entertaining series. Epsiodes 1 & 2 are mostly an introduction to our main characters, and we learn very little about the plot itself. However, episode 3 really packs it all in, giving the viewer a good overview of the two sides and plenty of hints as to what’s to come.

Though many shows in anime deal with the end of the world, the stylistic approach in “X” helps to grab your attention. Kamui, the lead character, is your typical unwilling hero who wants nothing to do with his destiny. More to the point, he begins this series as quite the anti-hero, and there’s little to redeem him. Luckily, the creators don’t weigh down the character with melodramatic angst. He is, quite unashamedly, selfish. So, it’s up to the supporting cast to show us just why the world deserves to be saved, along with Kamui himself.

One word of warning: if you don’t want to have certain plot points spoiled for you, do NOT watch the Extras part of the disc, or the Episode 0 included. Skip straight to Episode 1, and don’t look back. I wasn’t warned in time, so certain major plot elements have been ruined for me. However, getting to those points looks to be the fun part!

The Clamp Cooperative’s original manga series for ‘X’ was a complex, doom-filled apocalyptic vision. Two groups, the Dragons of Heaven and the Dragons of Earth are enmeshed in a struggle for ascendancy over Tokyo that would ultimately decide the fate of the world. Those of earth seek to destroy in order to recreate the world anew, and those of Heaven seek to preserve and revitalize the existing sources of power. Into this struggle steps Kamui, a young man who has returned to Tokyo to reclaim the Shinken or divine sword. In doing so, he will make a series of decisions that bring about the final resolution of the struggle.

When a feature length film was made from the manga, it became painfully obvious that this is too much story to be communicated in 90 minutes. Almost twenty major characters are involved and the needs of the limited format ensured that only a few received enough attention to gain definition. The plot itself is complex, and depends on the characters to progress. The best the film could do was to be a beautifully crafted and acted but infinitely fragile production. The result left everyone a bit dissatisfied. Unwilling to write off Rintaro’s efforts completely, director Yoshiaki Kawajiri undertook to remake the story as a full-length television series. Insisting on a high level of production values, especially for the graphics and musical work, he has managed not only to surpass the film, but also to improve upon the story telling of the manga.

This first DVD sets the gothic, art nouveau styling of the story, sketches out the bones of the plot, and begins to bring the characters on stage. This is no small task, and the viewer is warned to read the accompanying character guide and be willing to tolerate a bit of confusion before everything is sorted out and the characters have developed sufficient personalities so that the plot and the cast begin to mesh.

The key characters to come on board in the beginning are the trio of Kamui Shirou, Fuma Monou and his sister Kotori Monou. Kamui, who knew the Monou’s as children, has returned to Tokyo. Despite his every effort to keep his old friends at a distance, fate takes charge. Because Kamui’s own decision about his role in the coming cataclysm will force a parallel decision from Fuma, and brings Kotori into a tragic conflict between duty and desire. Two other characters of early interest (both Dragons of Heaven) are Sorata Arisugawa, an unlikely priest from Mt. Kouya, and Hinoto, a dreamseer who keeps the Dragons organized until Kamui can make his decision.

At this early stage, this series shows every sign of being a landmark effort. Whether it will finally succeed will depend on Kawajiri’s ability to tame the complex story and large cast. So far the director has proven up to the challenge. This series is well worth continued attention.

Stream The Simpsons – The Complete Fifth Season Online

February 18th, 2010 by asa8881424
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Movie Title: The Simpsons – The Complete Fifth Season
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The Simpsons DVD sets so far have been jam-packed with extras, commentaries, and creative menu pages, which may be the reason the seasons are fairly slow in coming out. I am getting a bit antsy because the next 7 seasons or so are so great, but good things come to those who wait. Season five has some of my favorite episodes. Some were pretty rare to see in syndication and now almost impossible to see as the current reruns seem to concentrate on the later seasons. Here are my season five highlights:

“Homer’s Barbershop Quartet” with an appearance by George Harrison. This parody of the Beatles is very clever, especially Barney’s girlfriend, “the Japanese conceptual artist.”

“Rosebud” is in my top 10 Simpsons episodes ever. Mr. Burns is obsessed with finding his boyhood teddy bear Bobo. It is one of the funniest shows I’ve ever seen. The best part is when Smithers dresses like Bobo to try to, uh, cheer up Burns.

“Bart’s Inner Child”: Self-help guru Brad Goodman is impressed by Bart’s “do what you feel like” attitude. Springfield puts together a “Do What You Feel Festival,” a welcome change from the “Do As We Say Festival” (started by German settlers).

“Boy-Scoutz in the Hood”: Another favorite of mine. A sugar high causes Bart to join the junior campers, lead by Ned Flanders. Enduring Homer’s constant teasing, Bart dreads telling Homer about the father-son rafting trip (Homers response: “Ha, you don’t have a son.”). Ernest Borgnine guest stars.

“Homer and Apu”: Apu gets busted for selling tainted meat and loses his job at the Kwik-E-Mart. At one point, Apu and Homer travel to India so Apu can seek forgiveness from the Keik-E-Mart CEO who resides in not the most conveniently located convenience stores. James Woods guest stars.

“Lisa Vs. Malibu Stacy”: Lisa is on a rampage when her talking Malibu Stacy doll says things like “Don’t ask me, I’m just a girl.” She meets with the doll’s creator Stacy Lovell to design a more politically correct doll. Lovell had been forced out of the company because her ideas were not cost effective (oh, and she was also “funneling profits to the Viet Cong”). It is hilarious. Smithers’ start-up page on his computer is a must-see.

“Deep Space Homer”: A classic where Homer goes into space. Buzz Aldrin and James Taylor are guests.

“The Boy Who Knew Too Much”: Bart plays hooky and witnesses an incident that causes a trial against Mayor Quimby’s nephew Freddy. On the jury is Homer “how many s’s are in innocent” Simpson.

“Secrets of a Successful Marriage”: Homer feels important teaching a class on marriage but Marge is not happy with his “tell all” lesson plan.

These are my favorites of this DVD set. Other episodes include: Cape Feare (starring Springfield’s criminal mastermind Sideshow Bob), Homer Goes to College, Treehouse of Horror IV (where Homer sells his soul for a donut), Marge on the Lam (a Thelma and Louise parody), The Last Temptation of Homer, How I Learned to Stop Worrying and Love Legalized Gambling, Homer the Vigilante, Bart Gets Famous (Bart as the “I didn’t do it” boy), Homer Loves Flanders, Bart Gets an Elephant, Burn’s Heir, Sweet Seymour Skinner’s Baadasssss Song, and Lady Bouvier’s Lover (with a parody of The Graduate).

Seems like Fox Studio is getting faster at pumping these DVDs out. The fifth season might be where the simpsons jumped the shark pit, but I’ll leave that discussion to the ubernerds. The fifth season includes the following episodes:

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Homer’s Barbershop Quartet: While looking through old records, the kids discover their dad was in a barbershop quartet. Guest appearnce by George Harrison.

Cape Feare [sic]: Side show bob is out to kill Bart and the family is put in the witness relocation program. Includes the famous “hello Mr. Thompson” scene.

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Homer Goes to College: After a nuclear plant inspection, Homer has to go to college. The episode is a send up of popular college movies of the 80’s (e.g. Revenge of the nerds or animal house). Homer falls in with the nerd crowd.

Rosebud: In a long turn of events, Mr. Burn’s childhood teddy bear ends up in Maggie’s hands. Burns and Homer negotiate for the return of the bear. Special guests: the Ramones.

Treehouse of Horror IV: Homer sells his soul for a donut, Bart spies a gremlin on the side of the school bus (ala twilight zone), and Homer kills the vampire Mr. Burns (ala Braum Stroker’s Dracula).

Marge on the Lam: In a spoof of Thelma and Loise, Marge and her neighbor go on a cross country chase, when her neighbor steals her ex’s car.

Bart’s inner child: A self-help guru uses Bart as an example of freeing one’s inner child. A “do what you feel like” style festival ensues. Guest stars James Brown.

Boy Scoutz in da Hood: After a sugar binge, Bart and Milhouse find themselves enrolled in the boyscouts. Hilarity ensues.

The Last Temptation of Homer: When a beautiful woman starts working at the plant, Homer’s faithfulness is put to the test. Guest starring Michelle Pfeiffer.

$pringfield: Mr. Burns opens a casino in Springfield. Homer works at the casino, while Marge develops a gambling problem.

Homer the Vigilante: A catburglar is loose in Springfield. Homer forms a watch group (read mob) to catch the thief.

Bart Gets Famous: While working on the Krusty the Klown show, Bart inadvertantly steals Krusty’s thunder and has his 15 minutes of fame. Guest starring Conan O’Brien (who used to write for the show).

Homer and Apu: Homer gets sick after eating rotting meat from the Quickie Mart. As penance, Apu moves in to be a servant for the Simpsons. Homer and Apu then try to get Apu’s job back.

Lisa vs. Malibu Stacy: Lisa fights back against corporate America’s barbi-style image by producing a doll designed to give girls a positive image for themselves.

Deep Space Homer: Homer competes for and wins (by default) a spot on the spaceshuttle. His incompetence nearly kills them, and then saves the crew. Stars Buzz Aldrin and James Taylor.

Homer Loves Flanders: Homer sucks up to Flanders when he learns Flanders has football tickets. His relationship grows with Ned (uncomfortably so for Ned), until Homer realizes that Flanders is a jerk.

Bart gets an Elephant: Through a wacky radio contest, Bart wins an elephant. Unable to care for it, he is forced to give it up to a wildlife refuge.

Burn’s Heir: Bart competes for, and wins a spot as the heir to Burn’s fortune. But he renounces the throne when Burns wants him to fire Homer.

Sweet Seymore Skinner’s Baadasssss Song: Bart’s hijinks finally get Seymore fired as the school’s principle. He re-enlists in the army. Bart and Homer try to get him back as principle when Ned Flanders becomes the new school principle.

The Boy Who Knew Too Much: When Bart skips school he witnesses a crime, allegedly committed by the Mayor’s brother. Bart’s testimony can clear him, but Seymore will know Bart cut class. Homer serves on the jury (“I know you can read my thoughts boy…meow meow meow meow…”)

Lady Boivier’s Lover: Marge’s mom falls for Homer’s dad, only to fall for Mr. Burns.

Secrets of a Successful Marriage: Homer teaches class as a marriage counselor, but ends up dishing the dirt on his own marriage. Marge kicks him out, and Homer is forced to look after himself.

Watch Wild Strawberries – Criterion Collection Online

January 23rd, 2010 by asa8881424
Watch Wild Strawberries - Criterion Collection Online. Watch Wild Strawberries – Criterion Collection Online.

Movie Title: Wild Strawberries – Criterion Collection
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In this symbolic tale of an old man’s journey from emotional isolation to a kind of personal renaissance, Ingmar Bergman explores in part his own past, and in doing so rewards us all with a tale of redemption and love.

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Victor Sjostrom, then 80 years old, stars as Professor Isak Borg whose self-indulgent cynicism has left him isolated from others. Sjostrom, whose work goes back to the very beginning of the Swedish cinema in the silent film era, both as an actor and as a director, gives a brilliant and compelling performance. All the action of the film takes place in a single day with flashbacks and dream sequences to Borg’s past as Borg wakes and goes on a journey to receive a “Jubilee Doctor” degree from the University of Lund. Bergman wrote that the idea for the film came upon him when he asked the question, “What if I could suddenly walk into my childhood?” He then imagined a film “about suddenly opening a door, emerging in reality, then turning a corner and entering another period of one’s existence, and all the time the past is going on, alive.”

Bibi Andersson plays both the Sara from Borg’s childhood, the cousin he was to marry, and the hitchhiker Sara who with her two companions befriends him with warmth and affection. The key scene is when the ancient Borg in dreamscape comes upon the Sara of his childhood out gathering wild strawberries. Borg looks on (unnoticed of course) as his brother, the young Sigfrid, ravishes her with a kiss which she returns passionately; and, as the wild strawberries fall from her bowl onto her apron, staining it red, Borg experiences the pain of infidelity and heartbreak once again. Note that in English we speak of losing one’s “cherry”; here the strawberries symbolize emotionally much the same thing for Sara. Later on in the film as the redemption comes, the present day Sara calls out to Borg that it is he that she really loves, always and forever. Borg waves her away from the balcony, yet we are greatly moved by her love, and we know how touched he is.

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The two young men accompanying Sara can be seen as reincarnations of the serious and careful Isak Borg and the more carefree and daring Sigfrid. It is as though his life has returned to him as a theater in which the characters resemble those of his past; yet we are not clear in realizing whether the resemblance properly belongs in the old man’s mind or is a synchronicity of time returned.

Memorable is Ingrid Thulin who plays Mariana, the wife of Borg’s son who accompanies him on the auto trip to Lund. She begins with frank bitterness toward the old man but ends with love for him; and again we are emotionally moved at the transformation. What Bergman does so very well in this film is to make us experience forgiveness and the transformation of the human spirit from the negative emotions of jealousy and a cold indifference that is close to hate, to the redemption that comes with love and a renewal of the human spirit. In quiet agreement with this, but with the edge of realism fully intact, is the scene near the end when Borg asks his long time housekeeper and cook if they might not call one another by their first names. She responses that even at her age, a woman has her reputation to consider. Such a gentle comeuppance meshes well with, and serves as a foil for, all that has gone on before on this magical day in an old man’s life.

See this for Bergman who was just then realizing his genius (The Seventh Seal was produced immediately before this film) and for Sjostrom who had the rare opportunity to return to film as an actor in a leading role many decades past his prime, and made the most of it with a flawless performance, his last major performance as he was to die three years later.

In Ingmar Berman’s film masterpiece Smultronstallet (or `Wild Strawberries’ B&W, 1957), the protagonist, an elderly professor who is facing death, has to come to face to face with a long life that has failed to answer the important questions. He is old now and faced with his own inadequacy and impotence.

Bergman introduces three young people into the drama to introduce life’s most important question – that of the existence of God. The old man gives them a ride. One of the young men is thinking about becoming a parson; the other argues that God doesn’t exist. The old man offers no opinion to the debate. He is silent, but it is a loud silence. It’s a silence that reveals an amazing dimension of loss – the loss of year upon year of not coming to terms with this all-important question.

In one of the final scenes, Bergman masterfully closes in tight on the aged face of Professor Isak Borg (played by Victor Sjostrom). In that shot, we can see the whole universe in his eyes and all of its cares in the bags beneath them. Only Bergman could have directed that scene – only him. It makes Smultronstallet one of the most important films ever made. That one scene, better than any other that I know, captures `loss’ on celluloid for all future generations to witness and have to deal with. If you see it, you may find yourself having to look away.

The imagery in Smultronstallet is unparalleled, except by Bergman’s own Det Sjunde inseglrt (The Seventh Seal, 1957). Look for the handless watch, the corpse wagon, the sparseness of the first scene, the car windows turning to black – ominous signs are everywhere. Notice the clues that point to Bergman’s existential philosophy (the twins write a song for a deaf man – as futile as Sisyphus’ labor!) and the redemption themes (Izak pierces his hand as he looks into the window, or the line: “A doctor’s first duty is to ask for forgiveness.”). Notice also the outright defiance of the divine presence that he has bred into his son (“I will not be forced to live one day longer than I want to.”).

Izak is ready to die, but it seems that, for him, life is more forbidding than death. He is a living corpse, dead already.

All of these factors conspire to create a film that is pure art, and one that gets richer with each repeated viewing. It is also ennobling and cathartic in the truest sense of the Greek drama – a warning to the men of ancient Greece to avoid the tragic flaw is the hero’s undoing, and could be ours as well.

We are made to look hard at Izak. Do we like what we see? Have we answered the important question that he has not? If not, Izak is us. To quote a line from the film: “Is there no mercy?” The reply comes: “Don’t ask me.” I hope that all of us will fare better when confronted with this important question.

Watch Come Back, Little Sheba on PS3

January 20th, 2010 by asa8881424
Watch Come Back, Little Sheba on PS3. Watch Come Back, Little Sheba on PS3.

Movie Title: Come Back, Little Sheba
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Shirley Booth’s Lola Delaney is (possibly rivalled only by Charles Laughton’s Quasimodo) the most pathetic character ever put on film. It is palpably hurtful to bear with her the many humiliations she undergoes during the course of the film. Caught in a sort of stand off relationship with her husband, she is lonely and emotionally wasting away, while seeming to deny this fact to herself. And when she cuts loose and tries to have a little fun, dancing or enjoying radio music meant to transport you out of your daily grind, she is merely the subject of laughter and rolling eyes. Her teary ruminations on the titular lost dog are, as I read it, symbolic of a larger aching need to find someone or something with which to exchange affection. I just saw Come Back again for the first time in 30 years, and I think it is as strong now as it must have been in 1952. The cinematography by the great James Wong Howe starts out bright and ordinary, felling like a 50s sitcom, but as layers of the dark heart of the drama are peeled away, the look becomes noirish and menacing –we know something is going to snap. You won’t forget it.

Even in a time when films were less gimmicky than today, Come Back is really an anti-gimmick movie. It is just a glimpse into the life of a couple simmering under the surface with regret, old hurt and selfdoubt.

This is a powerful drama. Lancaster plays a sort of Jeckyll and Hyde character named “Doc”: calm and refined when sober, angry and dangerous when drunk. The scene in which, drunk, he attacks his wife, Lola, is harrowing. I’ve seen few scenes to beat it in terms of intensity and believability. Doc buries his disappointments in drink and harbors a deep suspicion of women’s sexuality. Indeed, he is obsessed with female purity; thus the fact that Lola was pregnant before their marriage weighs heavily on him, and Doc, like Lola’s father, never forgives her for this sexual “mistake.” Booth, as Lola, is heartbreakingly poignant. The dominant symbol in the film, Lola’s lost dog, Sheba, represents Lola’s lost self: her youth and her dreams. Because she has no where to go when Doc becomes “sick” again, she is forced to resign herself to being a housewife who whitewashes her problems just like she gives her wooden ice box a fresh coat of paint.

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“You’re all I have,” Lola says to Doc at the end of the film. “You’re all I ever had.” Booth’s genius in that scene is most evident. I once read that Inge, the author of the play on which this film is based, was an alcoholic himself and believed that each woman should always stand by her man. But one look at Booth’s performance makes it clear that Booth didn’t think so. Booth’s Lola is desolate at the end of this film. Her mother and father won’t take her in and her neighbor’s only advice is “keep busy.” This, Lola will do, as she must, as she has no choice, but at a high cost.

The first time I saw this film I was 12 or 13 years old. I’m 50 now. I just watched it again tonight. I cried.

Stream Boston Legal – Season One Movie Online

January 19th, 2010 by asa8881424
Stream Boston Legal - Season One Movie Online. Stream Boston Legal – Season One Movie Online.

Movie Title: Boston Legal – Season One
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I’ve been a Assume for the past 12 years. Often when selecting a jury the attorneys will ask the jurors “who watches Boston Factual? ” Attorneys laugh and say “well this is not TV this is reality.” I want to jump off the bench and bellow “so is remarkable of Boston Correct”, but I can’t. Boston Apt is a sincere hoot. For any attoney who has worked in a enormous law firm you can stare many of the same people you work with in the Boston Just characters. Denny Crane is the man and I can instruct you that many of his likes exist in the upright system. They are a royal distress to Judges. You either care for them or abhor them. Mammoth narrative lines and fantastic casting keeps this Reflect smiling.

A Peabody award for 2nd season and rightly so!! I’m 65 and beside West Soar and Commander In Chief (both going off the air, I guess) this explain is always a don’t miss and if it’s a tell, notice it again. I often tumble asleep before I can enact it due to the many commercial interruptions so I gave up and tape all the shows now and notice again with the expeditiously forward button for those annoying commercials. Broad Reveal!!! The entire cast is righteous but Spader and Shatner are the stars impartial because of their chemistry and the Spacious WRITING!! Can’t wait for the second season to near out on DVD as well! I don’t engage TV shows, except for the British “Keeping Up Appearances” but this is a distinct engage!!! Can’t wait to win it and see the entire first season without interruption!!

Why I hate A Charlie Brown Christmas

January 14th, 2010 by asa8881424
Why I hate A Charlie Brown Christmas. Why I hate A Charlie Brown Christmas.

Movie Title: A Charlie Brown Christmas
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Perhaps the most endearing of all the Charlie Brown specials is “A Charlie Brown Christmas”, the first in a long series of made for t.v. half hour films portraying the famous Peanuts Gang.

For almost forty years, watching “A Charlie Brown Christmas” has been an eagerly anticipated event for millions of households. I recall watching it as far back as twenty-two years ago, and have watched it every Christmas since.

“A Charlie Brown Christmas” was made in a time when commercialism was running rampant all over the country. Stores advertising to shoppers what they ought to buy, long before Thanksgiving had come and gone. Unfortunately, we still see this blatant commercialism today, which makes this short film so very poignant and all the more special.

Charlie Brown is assigned to direct the school Christmas pageant, much to his glee; for he feels accepted and worthy. When Lucy tells him to go out and get an alumminum tree, he takes Linus along with him. What Charlie Brown ultimately gets is a small, sickly looking tree, which is rapidly loosing its needles. But, Charlie can see how much the tree “needs him”, somebody; something which he can identity with.

When he returns, he finds the gang dancing to un-Christmas like music, instead of rehearsing their lines. They stop to take a look at the tree he brought, immediately burtsing out in mocking laughter. Apparently Charlie Brown has failed again. In disgust and humiliation he flees, taking the tree with him. And when he comes upon Snoopy’s dog house, all decked out in Christmas lights, not to celebrate the joyous holiday, but to win money in a contest, Charlie Brown has had enough, and almost loses all faith in Christmas.

Linus saves the day, somehow able to bring the tree back to life, and make it look much healthier and stronger. But it is when he explains the meaning of Christmas that the “gang” gets the point of Christmas, and what Charlie Brown was trying to do.

“A Charlie Brown Christmas” ends with newfound meaning for Christmas, hopefully not soon forgotten by either the Peanuts Gang, or, more importantly … us.

I realize that I am writing this several weeks after Christmas, and this is a Christmas DVD, but this is the first year that I missed watching “A Charlie Brown Christmas” on television, so I rented the DVD. Ever since I was a little boy, this has been my favorite Christmas special, and one that I always looked forward to watching every year. I grew up reading the Peanuts comic strips and I grew up watching the Peanuts Christmas special.

Charlie Brown is depressed. He can’t seem to get himself into the Christmas spirit. He doesn’t like the commercialism of Christmas and scarcely knows the true meaning of Christmas. Lucy selects Charlie Brown to be the director of their Christmas play and he decides to get a Christmas tree for the production. The other kids tell him to get a “nice shiny aluminum tree, maybe a pink one”, but Charlie Brown and Linus bring back a sad looking real tree. Charlie Brown is almost laughed out of the auditorium, but when he asks if anyone knows what Christmas is all about, Linus has the answer. Linus recites a passage from the Bible telling of the birth of Jesus. Charlie Brown is cheered and leaves with the tree. He tries to decorate the little tree, but even that is ruined. Linus and the gang follow behind, fix up the tree, and at the end, they show the true spirit of Christmas.

It is a sweet little Christmas special, filled with memorable moments that will always make me smile. The one thing that amazes me is that Charles Schulz was able to include Linus’s speech near the end about the birth of Jesus. I don’t imagine that would have been able to be included today, but I think the special is all the stronger for it. I have a hard time imagining that any new Christmas show will ever hold as special a place in my heart as “A Charlie Brown Christmas”.

This DVD also includes “It’s Christmastime Again, Charlie Brown” (1992). This Christmas feature is lacking the overall charm and emotion of the older special, but it has a lot more humor. It is also different from the first Christmas special in that this one is more a series of vignettes (perhaps based on Schulz’s comic strips) than a complete story. There are sequences with Charlie Brown trying to sell Christmas wreaths before Thanksgiving, and of Sally rehearsing for a Christmas play. Sally’s sole line is “Hark!”, though I think she missed the rest of her lines where the herald angels sing. It is a cute cartoon, but ultimately it does not quite live up to “A Charlie Brown Christmas”, but it my mind, nothing can live up to that one.

Stream Alfie Movie Online

January 8th, 2010 by asa8881424
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Movie Title: Alfie
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Jude Law is a fine actor and does his usual excellent job in this remake. If you’ve never seen the original you’d probably think it was a decent enough movie. But if you’ve seen the original, with Michael Caine, you’d be wondering why they bothered to make this in the first place- especially the butchered version that resulted.

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Like a lot of latter day remakes, this is very much a prettified version of the original. All of Law’s conquests have model good looks- as does Law himself, for that matter. He’s also a good deal more refined, in accent and in manners, unlike Caine’s rather crude Cockney. He moves about in beautiful surroundings. And that loses an essential element of the setting of the novel. Alfie did not live in a beautiful world, and his conquests were not necessarily beautiful women; in large part they were women whom someone else desired- and that was what compelled him to seduce them.

Caine’s (and the novel’s) Alfie exploited weak women; for whatever reason, the director, or perhaps the producers, decided this Alfie’s conquests had to be modern, strong women who use him as much as he uses them. That of course makes Alfie a good deal less of a cad; Jude Law’s Alfie is not leaving behind the wrecked lives that Caine’s did, and he becomes almost sympathetic at one point- a sentiment completely absent in the book and the original movie.

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In the end, this version misses the essential Alfie- his inability to recognize flaws in himself, even as he rationalizes his actions and convinces himself that he’s doing the right thing. The result is a shallow character study completely lacking the depth and impact of the original.

Why does Hollywood keep making remakes of classics that cannot possible be improved upon? This is a Shallow, tepid, very poor remake compared to the Michael Caine, 1966 original. The performances, especially Jude Law (who is usually excellent in film) are a disappointment. The direction is uneven and stilted. There are offensive scenes. I will stick with the 1966 original and forget this mess.

The Man with the Golden Gun Reviews and Downloads

January 7th, 2010 by asa8881424
The Man with the Golden Gun Reviews and Downloads. The Man with the Golden Gun Reviews and Downloads.

Movie Title: The Man with the Golden Gun
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Don’t listen to the clowns who can’t let go of Connery, TMWTGG is one of the hottest Bond films. The worst to me is Licence to End and Tomorrow Never Dies.

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I acquire it queer that the Bond Blu Rays from the slack 70’s and the 90’s report quality is not as orderly as you would query, but the 60’s and earl 70’s are on point! This film quality is what I would have to call perfect. It has film grain, but yet the detail is high and 3D. This is the draw a BD should peek. This is perfect. Do not hesitate on this one.

My only complaint is that they did not release a 4th situation and I had to hold the 2 unique ones seperatley which broke up my collection appearance. I am not distinct why this was done, but I don’t like it. I prefereed them individually, but the box situation was always cheaper.

THE MAN WITH THE GOLDEN GUN opens with Maurice Binder’s gun barrel trademark, accompanied with the “James Bond Theme” this time played on strings, instead of guitar. That was a loyal innovation by John Barry, which he continued to consume for Roger Moore. It was clearly evident Barry was succor.

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The first camera shot is of a surrealistically exotic locale on a beach where a attractive girl towels down a astronomical ark man emerging from the water. The man is Scaramanga, the Man with the Golden Gun. John Barry’s familiar background music accentuates the Epicurean surroundings and the film immediately looks like it has returned to more familiar Bondian territory.

As the film unfolds many of the elements of the fresh Bond series and missing from LIVE AND LET DIE returned. There also seemed to be a more tall spot as it initially unfolded. However, there were peaceful undesirable elements that swagger into the film as it progresses.

Britt Ekland seemed like she would have been a natural throwback to the sex symbols of the 60s akin to previous Bond Girls such as Ursula Andress, but her vaudevillian interpretation of Mary Goodnight was a fatal flaw. Another flaw was the return of Clifton James as Sheriff J.W. Pepper. Their performances were distractions from the main status hindering the continuity of the yarn line.

The film flounders in the middle until it gets serve on track when Bond finally travels to Scaramanga’s island for a face to face confrontation. The film follows the Bond formula here. The villain gloats as he gives Bond a tour of his lair and technical wizardry he has acquired. They dine over some dialogue on the merits of obedient vs. inferior and in the destroy advance to the final showdown.

I’ll admit that I always had a soft state for this film ever since I first saw it. It returned many familiar elements absent from LIVE AND LET DIE. For instance, we witness Bond return to the gambling tables via the Casino de Macao. Many fans greeted the return of these elements in a definite response. Other fans collected recognized the questionable elements that were peaceful expose in THE MAN WITH THE GOLDEN GUN and found these sinister and responded accordingly. To older Bond fans the return of Sheriff J.W. Pepper wasn’t exactly a welcome study.

An often-overlooked asset to this film is Maud Adams’ performance as Andrea, Scaramanga’s lovely mistress. She brings beneficial compassion to the role as the tormented individual who can not elope her master. Only before each killing does Scaramanga exploit her sexually in ritualistic foreplay to increase his aim on the depressed individual he has been contracted for. In one scene Scaramanga cruelly rubs the golden barrel of his pistol against her lips in a symbolically phallic gesture in a moment of triumph after a successful killing. You can peek the distress on Andrea’s face and you feel empathy for her. Even though she appears here in the prerequisite sacrificial lamb role, she stands out as one of the best Bond girls of the series.

Christopher Lee’s performance as the enigmatic Scaramanga was refreshingly energetic. He gave the assassin an amiable quality on the surface hiding a darker side beneath the skin.

Roger Moore’s performance was an improvement over his first interpretation of Bond as a foppish and comical dandy. Moore appeared to give Bond a tougher edge in this one even though the script attempted to undo him. Given Roger Moore’s previous performance and his meager veil accomplishments as Bond at that point in the series, the “duel between titans” it was not.

Some of the cinematography was very reliable. Bond’s solo flight through the uprooted rock formations come Phuket, Thailand to Scaramanga’s island was impressive. In the pre-title sequence there is an generous camera shot that follows gangster Hood and Slice Nack through an anteroom. As they enter the parlor the camera continues to dolly forward while the lens zooms abet giving the viewer an impression of the expanse and opulence of Scaramanga’s domicile, a melding of the man-made with nature’s volcanic rock.

Production designer Peter Murton’s work on this film has always been underrated. Scaramanga’s posh living quarters overlooking his grotto rivaled earlier situation designs by Ken Adam. Also very impressive were incredible miniatures by Derek Meddings.

One bit of innovation combing site filming, miniatures and location perform was the exercise of the half-submerged Queen Elizabeth, its hull at a 30-degree angle, scorched and rusted at rest in Hong Kong harbor. Hidden in the bowels of the sunken ship is the headquarters for the Hong Kong region of the British Secret Service. “It’s the only spot in Hong Kong where you can’t be bugged” says a naval officer to Bond.

John Barry’s scoring gave the film his much-needed familiar sound. Even though it was apparently noteworthy loftier, it was quiet very welcome.

If this were to be the last film in the series it would have been a dismal final testament. Luckily greater things were yet to advance.

THE MAN WITH THE GOLDEN GUN is a bit of a romp gaining cult plot in some circles thanks in share to Christopher Lee’s performance. One is able to inspect aid and unbiased appreciate it for what it is. I hold it was one final sight, though great out of step to the origins of the series before THE Perceive WHO LOVED ME took the Bond series in a modern direction.

January 7th, 2010 by asa8881424

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January 6th, 2010 by asa8881424

Carpets enhance beauty of the houses and to keep them clean is the main requisite. There are two methods of carpet cleaning -conventional and new technological methods Chemical manufacturers of carpet cleaning set the five key cleaning methods after twenty years of their research, particularly dry-cleaning and Green based chemicals.

Commercially carpet cleaning is carried out through steam cleaning i.e. hot water extractionSecond procedure is dry cleaning which utilizes very little moisture and depends on the dry compounds supported by the application of cleaning solutions. This process is often very fast and labor intensive as compared to wet extraction systems. The next method Dry compound method needs biogradable powder and cleaning compound for cleansing carpets These compounds are spread all over the carpet and then swept or scrubbed over it.

For the not so big areas, a small household hand brush can be utilized to clean out the dirt and then it is vacuumed which makes carpet well cleaned and dry. The fourth method is Bonnet method involving club soda and cleansing product; both are combined with each other and scattered over the surface and small machine known as round buffer or bonnet is moved over the mixture into rotating motion. This method takes more time in drying and is not recommended for deep cleaning.
People also make utilization of shampoos for cleaning of carpets.

This system was very popular till 1970 but it soon lost ground when Encapsulation system of carpet cleaning came. The method of Encapsulation is latest technology for carpet cleaning that involves crystallizing soil particles into dry residues. It’s deep cleaning compound crystals soaks the dirt before removing it from the carpet. For this procedure, rotary machines, bush applicator or compression sprayer are utilized for application of solution and then vacuum cleaner is utilized to clear dry residue. This process increases the beauty of the carpet better.

There are number of home made procedures for Carpet Cleaning too like vacuuming, stain removing, making use of brushes, brooms etc to give your carpets a neat, clean and long life.