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Joan Fontaine was fantastic in this sensitive film about a insecure woman who unexpectedly finds worship and allows her insecurities to fuel her imagination with suspicion. She easily won the Academy Award for her performance following her fair turn the prior year in Rebecca. Based on a original by Francis Iles, Hitchcock’s second film starring Fontaine is more about fancy and the dismay of losing it than suspense, but mild has enough of his exiguous touches to compose it exquisite as both.
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Joan Fontaine is the paralyzed but wealthy Lina. Though her head is often buried in books, her heart detached beats, and when she is shown a microscopic attention by irresponsible charmer Johnnie Aysgarth (Cary Grant), who calls her monkey-face, she begins to plunge in esteem. When she overhears her family talking about her, it hurts her deeply, and she turns to Johnnie for the romance and adventure both she and those who know her concept she’d never have.
Fontaine is amazing as she pines for the well-liked Johnnie to advance calling again, until finally a cablegram salvages her pride in front of her skeptical family. Grant is wonderful as the off-beat and fun Johnnie. When the timid Lina tells him she loves him, he realizes he feels the same and they speed off and net married one rainy night.
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Lina tries to be cheerful but begins to explore Johnnie in a different light when his pal Beaky (Nigel Bruce) shows up. Johnnie’s gambling and irresponsible ways are off-set by his charm, however, and her faith in him is always restored, as when he buys succor a family heirloom he has sold when he hits it great at the track.
Lina learns through the town gossip that not only has Johnnie lost his job, but may have lost it because of theft, and decides to leave him. She is writing her mark to him when Johnnie breaks in to converse her the shaded news of her father’s death. All is forgotten for a time as she needs Johnnie more than ever.
When Johnnie’s debts become serious and the sweet but monotonous Beaky turns up dumb, in a manner Johnnie has read about in her friend’s mystery novels, her insecurities allow her imagination to choose the next step. And when she discovers Johnnie has attempted to borrow against her life insurance policy….
Fontaine is simply suited in a tender and subtle performance and Cary Grant gives Johnnie objective the upright mix of charm and pains. The elegant romantic gain from Franz Waxman was Oscar nominated. Heather Angel has a nice allotment as the maid Ethel and Auriol Lee lends heavenly relieve as the mystery writer friend of Lina. Nigel Bruce, of Sherlock Holmes fame, really shines as Johnnie’s pal Beaky.
Though some have a predicament with Hitchcock’s ending, the sensitive and romantic tone of the film almost demands the ending we accumulate. A very heavenly romantic film with a touch of suspense.
This review is for the 2004 Warner Brothers DVD.
The movie opens on shriek where Johnnie Aysgarth (Cary Grant) sits down in a private first class compartment with a frumpy young woman named Lina (Joan Fontaine) . Johnnie makes an excuse that he was in another first class car but couldn’t stand the smoke. When the conductor collects the tickets, he finds that Johnnie doesn’t have a first class designate or enough money to screen the incompatibility in fare. With some slick salesmanship, Johnnie gets Lina to pay the additional fare. This is a foreshadowing of things to approach. They meet again and have a whirlwind romance and score married. Lida expeditiously finds out that Johnnie has champaign tastes on a beer drinker’s budget and uses a lot of charm and shrewd chicanery to secure money without doing an unprejudiced day’s work. As time goes on, Lida losses trust in Johnnie but later develops legitimate fears that he may go as far as committing slay for financial earn. This sets up the remainder of the film with plenty of suspense and drama finding out who the dependable Johnnie is and how far he’ll go with his money scheming shenanigans.
I thoroughly enjoyed this movie for many reasons, but mainly because of the two leading actors: Cary Grant and Joan Fontaine. Not only were their individual performances terrific, but also the chemistry between the two was wonderful. The Johnnie Aysgarth character was a engrossing enigma throughout the entire film. Alfred Hitchcock masterfully directed the acting so that it was hard to impart if Johnnie was a charming, but irresponsible child in a man’s body or deadly sociopath. Joan Fontaine won an Oscar for her performance as the emotionally tortured wife. Nigel Bruce also did a grand job in a supporting role as Johnnie’s archaic friend ‘Beaky’. Another incredible thing about this movie is that there is a distinct droll element to the film – especially when Johnnie assumes that his newly wedded wife has lots of money but finds out she doesn’t. The intention Johnnie wiggles his blueprint out several tight spots is a engrossing demonstrate of his creative and spontaneous ingenuity. All in all, it’s a terrific suspense film with virtually no wasted moments in the entire movie. The ending is slightly controversial only because we score out in the commentary that the ending was change at the last itsy-bitsy. Some people would have undoubtedly preferred the recent ending. I’m ravishing with the released version.
The DVD record quality is nearly perfect for a movie this weak. The transfer is enthralling and blemish-free, with only a few grainy scenes. The sound was handsome and DVD includes a bonus commentary segment about “Suspicion”.
Movie: A
DVD Quality: A
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